The phrase identifies a specific digital acquisition: the procurement of Robert Glasper’s “Let Go” album in a downloadable format. This indicates a user’s intent to obtain and store the musical work locally, as opposed to streaming it. For instance, an individual might search using these terms after hearing a track from the album and deciding to purchase it for offline listening.
The availability of albums in downloadable format offers listeners ownership and permanence. Unlike subscription-based streaming services, where access is contingent on continued payments, downloading grants indefinite enjoyment of the music. Historically, this method of acquisition gained prominence during the transition from physical media to digital distribution, providing a bridge for consumers accustomed to owning their music collections.
